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Janet Awe

The latest from Janet Awe & friends…

Janet Awe: Passionate About Telling Stories

Janet Awe

Hi, there! If you’re looking for some blurb about me, here it is.

I am a freelance script editor and development producer. I often work directly with writers, helping to develop and produce their original TV, short film and feature film scripts. I’m excited to have a diverse range of projects on my slate at the moment. From an angst-ridden coming-of-age short, called Beehive; to an anti-rom-com web series called Sideliners, and with a beautiful feature film and a number of TV comedy pilots in between.

I’m delighted to also be freelancing as a development producer for the legendary Douglas Road Productions. Other work with indies includes script editor on the brilliant Make A Scene screenwriting bursary created by Zeppotron Productions, in line with my passion for supporting new talent, and working as a development executive for Talkback Productions’ then-head of scripted comedy, Nana Hughes.

I have broadcaster experience, gained through a number of roles at Sky.  I have freelanced there, as a production consultant on Urban Myths: Bleak House Guest, a programme that I was instrumental in getting commissioned.  I also worked in-house for Sky, as a development executive in its comedy commissioning team, supporting projects already in production, as well as helping to uncover exciting new ideas.  From half-hour and hour-long comedies, for Sky One – such as In the Long Run, with Idris Elba; to the Urban Myths strand for Sky Arts, mentioned above, where fantastic talent, such as Frank Skinner and Anna Maxwell Martin, help retell true-ish stories about cultural icons. While at Sky, I also worked on its collection of comedy shorts, which helps showcase newer, up-and-coming talent, and I was excited to exec produce Jocelyn Jee Esien’s Summer.

Identifying, supporting and nurturing new talent is close to my heart, so I’m proud and excited to have set up a Bridges To Industry project with the National Film and Television School, whilst I was at Sky. This gave the often-unsung heroes – the writer and producers – an opportunity to create one of the Urban Myths short films.

That passion for new talent led me to get involved with many other great projects and organisations, including script reading for Film London, to review submissions to its brilliant London Calling Plus scheme and helping Funny Women produce and judge its comedy writer awards.

I’ve made a career change to get here and along the way have had some great teachers and experiences. I spent 14-months earning a Post-Graduate Diploma in Script Development at the National Film and Television School, graduating in February 2016. This built nicely on the Masters in Screenwriting that I’d completed at Birkbeck, University of London the previous year. Learning how to help other screenwriters find and communicate their voice, so they can tell their story in an authentic and viable way, was immensely satisfying and enjoyable. I left the development course armed with a dynamic arsenal of skills to help me improve other people’s scripts, as well as my own.

Returning to university after twenty years to study, while also working, was an huge challenge which definitely tested me to my limits. But – now that it’s over – I can look back and say how much I loved it.

Today, I’m proud to have helped many writers take their scripts to the next level. Including one intense, but fun and rewarding project, taking someone from rough outline to the second full draft of their comedy feature, in only ten weeks. And personally, I have written two comedy features, one black comedy TV pilot and a TV drama of my own, so far.  But for those that think that writers can’t be developers as well – please rest assured that I understand script development isn’t about rewriting things in my voice, but rather about helping the writer find theirs.

Ultimately, I simply love scripts and I am excited to work with them and their creators in any way that I can. I have always had a love for story, winning my first writing award when I was at primary school – as my mum still likes to tell people! After my first university stint, in the early 90s, I went into PR and marketing, with ITV becoming one of my first clients. Ten years later, in 2002, after working as a director in agencies and then going full circle, back to ITV (but this time in-house) I went freelance under the company name Awesome Communications (a ‘hilarious’ pun on my surname). My total of 20+ years’ marketing experience, covers everything from traditional PR, and digital and social media, to film-making for companies like Microsoft and Nokia. A great career, which I’m thankful for – but I’m delighted that my undiminished love of story inspired me to take a leap into the world of script development, producing and writing. I can’t think of anywhere I’d rather be.

If you’d like me to talk to me about work, or to just buy me a drink (!), please email me – janet @ janetawe dot com – or use the contact details below.

I look forward to hearing from you!